Exhibition view of "Slow Magic, Approaches to Contemporary Painting", Bluecoat Gallery, Liverpool, 2009
Weeping Medusa, 2008, Mixed media on linen, 162x130 cm
These paintings present large trees, rich in symbolism and formally dense and varied. The structure of a tree, (the trunk branching out in many directions) allows for an exploration of different approaches to mark-making, anywhere from the photo-realist treatment of tree bark to cartoon-like blobs and foliage, to straight collage of cut-outs from gardening magazines, as well as spray-painted pochoirs of real leaves and twigs.
In antropomorphous fashion, these trees talk and sing. Their oracular quality stems from a chattering, tree-dwelling community of parrots, neurotic women, mysterious green men, butterflies, and an assortment of ghosts. Ambiguous narratives and tongue-in cheek fairy-tales play hide-and–seek among the branches. These are trees of life, drunken genealogical conundrums. Cycles of death and re-birth are evoked with humour and grace. There is a fluid, orchestrated alternation between what is real and artificial, between an object and its representations.
Installation view of solo show at LAC Sigean, in collaboration with FRAC Languedoc-Roussillon for regional biennial, this edition titled "Casanova Forever", 2010